Originally published in Japan in 2005, each album in the Japanese Naval Warship photo album series contains official photographs taken by the Kure Maritime Museum, as well as those taken by private individuals. These pictorial records document the main types of Japanese vessels, from battleships to submarines, based on the best images from Shizuo Fukui, a former Imperial Japanese Navy ...
This refreshingly impartial history of the Office of Naval Intelligence is important both because ONI was the first official American intelligence agency and because very little has been written on the history of U.S. intelligence in the days before the creation of the Central Intelligence Agency.
Jeffery Dorwart outlines the role of ONI in the development of late-nineteenth and early-twentieth-century ...
Historically, operations and studies regarding maritime security focus on individual threats (e.g., piracy, terrorism, narcotics, etc.) and individual measures to target them (e.g., counter-piracy, counter-terrorism, counter-narcotics). This book explores, for the first time, an overall strategy for maritime security, integrating these issues into a single framework.
Tallis argues that as maritime security threats rise in sophistication, it will be increasingly ...
Winning Armageddon provides definition to an all-too-long misunderstood figure of the Cold War, General Curtis E. LeMay, and tells the story of his advocacy for preemptive nuclear strikes while leading the U.S. Air Force’s Strategic Air Command. In telling this story, Trevor Albertson builds for the reader a world that, while not in the distant past, has been forgotten by many ...
On July 31, 1964, the U.S. Navy destroyer USS Maddox (DD-731) began a reconnaissance cruise off the coast of North Vietnam. On August 2, three North Vietnamese torpedo boats attacked the ship. On the night of August 4, the Maddox and another destroyer, the USS Turner Joy (DD-951), expecting to be attacked, saw what they interpreted as hostile torpedo boats ...
Scottish artist George Plante did not enter World War II as an artist but as a volunteer radio operator in the British merchant fleet. There he spent more than two years engaged in the long-running and fierce Battle of the Atlantic, splitting his time between Britain and the United States. But while dodging U-boats and battling the elements, he also ...