The Norman Friedman Illustrated Design History series of U.S. warships books has been an industry standard for three decades and has sold thousands of copies worldwide. To mark and celebrate this achievement, the Naval Institute Press is proud to make these books available once more. Digitally remastered for enhanced photo resolution and quality, corrected, and updated, this series will continue to ...
U.S. Marines have been sent to Haiti many times since 1800, including as recently as 1995, but one of the most intriguing operations has—until now—been the least known. The 1959-63 mission exposed America's Cold War domino theory to the quagmire of Third World political tyranny. This revealing firsthand account of the operation is a tale of good intentions gone bad ...
Available for sale only in the U.S. and Canada. Exceptions made for USNI Members.
For most of the twentieth century Britain possessed both the world’s largest merchant fleet and its most extensive overseas territories. It is not surprising, therefore, that the Royal Navy always showed a particular interest in the cruiser, a multi-purpose warship needed in large numbers to defend ...
Available for sale only in the U.S. and Canada. Exceptions made for USNI Members.
While the overriding image of World War I is of the bloody stalemate on the Western Front, the overall shape of the war arose out of its maritime character. It was essentially a struggle about access to worldwide resources, most clearly seen in Germany’s desperate attempts ...
John Lambert was a renowned naval draftsman, whose plans were highly valued for their accuracy and detail by model makers and enthusiasts. By the time of his death in 2016, he had produced over 850 sheets of drawings, many of which have never been published. Following the first volume on destroyer armament, this one covers all such weapons carried by ...
On Operations: Operational Art and Military Disciplines traces the history of the development of military staffs and ideas on the operational level of war and operational art from the Napoleonic Wars to today, viewing them through the lens of Prussia/Germany, the Soviet Union, and the United States. B. A. Friedman concludes that the operational level of war should be rejected ...