Scottish artist George Plante did not enter World War II as an artist but as a volunteer radio operator in the British merchant fleet. There he spent more than two years engaged in the long-running and fierce Battle of the Atlantic, splitting his time between Britain and the United States. But while dodging U-boats and battling the elements, he also ...
Originally published in Japan in 2005, each album in the Japanese Naval Warship photo album series contains official photographs taken by the Kure Maritime Museum, as well as those taken by private individuals. These pictorial records document the main types of Japanese vessels, from battleships to submarines, based on the best images from Shizuo Fukui, a former Imperial Japanese Navy ...
Originally published in Japan in 2005, each album in the Japanese Naval Warship photo album series contains official photographs taken by the Kure Maritime Museum, as well as those taken by private individuals. These pictorial records document the main types of Japanese vessels, from battleships to submarines, based on the best images from Shizuo Fukui, a former Imperial Japanese Navy ...
A Ceaseless Watch: Australia’s Third Party Naval Defense, 1919–1942 illustrates how Australia confronted the need to base its post–World War I defense planning around the security provided by a major naval power: in the first instance, Britain, and later the United States. Spanning the period leading up to Australia’s greatest security crisis—the military threat posed by Japan throughout the majority of 1942—the work takes the reader all ...
In 1844 the USS Yorktown sailed from New York, as part of the U.S. Navy's newly established African Squadron, to interdict slave ships leaving the African coast. Aboard the sloop of war, Master's Mate John C. Lawrence, an educated New Yorker in his early twenties, kept a private journal describing what happened during the extraordinary two-year voyage and his reactions ...